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February 9, 2011

Simply Swedish

Filed under: Historic Styles — Tags: , , , , , , , , , — jherzlinger @ 2:22 pm

Light and white seems to be the trend among blogs and online magazines, especially Lonny. If its white you love then it is the Swedish style you are after. I believe that many of those simple and clean interiors that are all over the blogoshpere are just more eclectic manifestations of the Swedish style. If you don’t know what “The Swedish Style”  is, all you have to do pick is pick up a copy of Veranda magazine. That have captured the simplicity and nostalgia of this style and made it the face of their magazine. As with most styles (excluding the Baroque) most styles develop from need and function and that is definitely the case for the Swedish style. In Sweden, the summers are beautiful and short and the winters are long and cold. The light coloring of Swedish style interiors comes from the desire to keep a sense of brightness year round, and to emphasize the little light they receive in the winter. Along with white, Swedish style interiors have been none known to use creams and off whites as well as natural and earthy tones like beiges, taupes, and green. This is because of a strong respect for nature and desire to bringing natural elements indoors.

One thing about a Swedish interior that is unmistakable is the sense of clean. A traditional Swedish interior would have light colored pine or birch on the floors and most furnishing would be white washed, enhancing that pristine cleanliness. These light woods are symbols of Swedish design even today.  Since the understanding of paint and synthetic dyes wasn’t developed until the late 19th century, the white washing of the furnishing easily chipped away and had to be repainted every year. This is why in the Swedish style many of the furnishings are distressed and the best Swedish interiors use antiques. The simplest way to add a little Swedish to your interior is to declutter. The Swedish desire for clean and simplisticty has lent itself to some of the BEST modern design in the world. Add a little white and some wooden furniture and you will be singing Wiener Bonbons with the best of them.  

February 7, 2011

Inspired by Fashion

Filed under: materials and finishes — Tags: , , , , — jherzlinger @ 4:12 pm

Unless you have been living under a rock for the past two years, you might have noticed that one of the hottest trends in fashion is the stripe. I see it everywhere from the magazines to the runway shows to all of my favorite stores. Some say that the stripe has a nautical type association and others say that the strip is just a simple but bold print, either way the stripe trend has made its way into interiors as well. I have done a previous post on exterior spaces and the use of an awning stripe that is simple but can convey so many messages just in the way you decide to use the stripe. This also applies to the way you use a stripe on the interior, except there are so many more options. You can easily adapt the trends by adding stripe in form of art work, pillows, and inexpensive area rugs. But if you want to commit to some stripe, I think that it looks great on a wall depending on the color.

The most important thing to consider when using a stripe is the scale. How wide is each band of color? This can made the difference by creating a room and makes you dizzy and a room looks squat. A stripe size should show the nature of the space. Consider if a vertical or a horizontal stripe is the best option for you and think about just how many colors you want to bring into the pattern, or do you just want classic black and white. No matter where you decide to use a stripe, it is a bold pattern and can make a statement even if you only decide to change out your throw blanket. Think like the fashion designers this spring and go bold!

February 4, 2011

Luxurious Laundry Rooms

Filed under: laundry room — Tags: , , , , — jherzlinger @ 1:06 am

You might not that think that one of the most important rooms in your house is the laundry room. That is because so often laundry rooms look just as dirty and forgotten as the jobs you do in them. But it doesn’t have to be that way. A laundry room or mud room serves a major function in a working household and there is no reason why it should not receive as much design respect as your kitchen. The fact is that you could potentially be spending a lot of time in your laundry room between cleaning, doing laundry (and all the additional actions that go along with that), feeding pets, storing gardening materials, and whatever other activities you can shove in there. All the room really needs is some key organizational elements and good lighting and you might be finding yourself spending even more time in there.

Since the laundry room is a small space you really have the opportunity to do some outrageous design treatments that you might not have the guts to do anywhere else. With its small size, it also allows for you put in some more expensive materials that would not be as unrealistic in a space that has more square footage. The Casa Blanca project I did is perfect example of where the client wanted to do something a little more out of the ordinary then the rest of her home. This resulted in a space that was beautiful enough to be a second kitchen and twice as functional. Below are images of some creative and attractive laundry rooms that you can take advice from for your own space.

February 3, 2011

Coffee with Jamie

Filed under: book club — Tags: — jherzlinger @ 4:01 pm

Its Thursday and that means coffee with me! Today I am going to share with you a few books that I have on my list of favorites. Under each description you will find a link to buy the book directly from Amazon.

The Inheritance of Loss – Kiran Desai

“This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family’s neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is—at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook’s son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a “better life,” when one person’s wealth means another’s poverty.”

-Publisher’s Weekly

The Virgin Blue – Tracy Chevalier

“Chevalier’s clunky first novel, initially published in England in 1997, lacks the graceful literary intimacy of her subsequent runaway hit, Girl with a Pearl Earring. In split-narrative fashion, it follows a transplanted American woman in southwestern France as she connects through dreams with her distant Huguenot ancestors. The primary plot concerns the plight of Ella Turner, an insecure American midwife of French ancestry. Her architect husband, Rick, has been transferred from California to Toulouse, France, with Ella accompanying him. Often left alone, she becomes lonely and isolated, and when she decides it’s time to have a baby, she begins dreaming of medieval scenes involving a blue dress. In alternating sections of the novel, these details are developed in a narrative about a 16th-century French farm girl and midwife, Isabelle du Moulin, and her eventual marriage to overbearing tyrant Etienne Tournier. Isabelle and Etienne belong to a vehemently anti-Catholic Calvinist sect that overthrows the village’s cult of the Virgin, who is also known as La Rousse and depicted in paintings as red-haired and wearing a blue dress. Because of her own red hair and midwifery practice, Isabelle is suspected by her husband of witchcraft and punished accordingly. Ella, with the help of magnetic local librarian Jean-Paul, researches the lives of Isabelle and Etienne, trying to get to the bottom of her strange dreams. Chevalier tries hard to make Ella sympathetic, but her dissatisfaction with Rick is baffling, as is her attraction to the chauvinistic Jean-Paul. Equally difficult to swallow is the heavy-handed plot, which relies on jarring coincidences as it swerves unsteadily from past to present.”

-Publisher’s Weekly

Divisadero – Michael Ondaatje

“Ondaatje’s oddly structured but emotionally riveting fifth novel opens in the Northern California of the 1970s. Anna, who is 16 and whose mother died in childbirth, has formed a serene makeshift family with her same-age adopted sister, Claire, and a taciturn farmhand, Coop, 20. But when the girls’ father, otherwise a ghostly presence, finds Anna having sex with Coop and beats him brutally, Coop leaves the farm, drawing on a cardsharp’s skills to make an itinerant living as a poker player. A chance meeting years later reunites him with Claire. Runaway teen Anna, scarred by her father’s savage reaction, resurfaces as an adult in a rural French village, researching the life of a Gallic author, Jean Segura, who lived and died in the house where she has settled. The novel here bifurcates, veering almost a century into the past to recount Segura’s life before WWI, leaving the stories of Coop, Claire and Anna enigmatically unresolved. The dreamlike Segura novella, juxtaposed with the longer opening section, will challenge readers to uncover subtle but explosive links between past and present. Ondaatje’s first fiction in six years lacks the gut punch of Anil’s Ghost and the harrowing meditation on brutality that marked The English Patient, but delivers his trademark seductive prose, quixotic characters and psychological intricacy.”

-Publisher’s Weekly

Jean-Michel Basquiat

“The first African-American artist to attain art superstardom, Jean-Michel Basquiat (1960-1988) created a huge oeuvre of drawings and paintings (Julian Schnabel recalls him once accidentally leaving a portfolio of about 2,000 drawings on a subway car) in the space of just eight years. Through his street roots in graffiti, Basquiat helped to establish new possibilities for figurative and expressionistic painting, breaking the white male stranglehold of Conceptual and Minimal art, and foreshadowing, among other tendencies, Germany’s Junge Wildemovement. It was not only Basquiat’s art but also the details of his biography that made his name legendary–his early years as “Samo” (his graffiti artist moniker), his friendships with Andy Warhol, Keith Haring and Madonna and his tragically early death from a heroin overdose. This superbly produced retrospective publication assesses Basquiat’s luminous career with commentary by, among others, Glenn O’Brien, and 160 color reproductions of the work.”

February 2, 2011

Picture Perfect

Filed under: People of design — Tags: , , , , , — jherzlinger @ 7:24 am

If you have ever seen a historic photo of Frank Lloyd Wright’s or Mies van der Rohe’s work, chances are that photo was taken by Ezra Stoller. Ezra Stoller was born in Chicago in 1915 and attended NYU for college. While studying architecture, he developed an interest in photography after he had to make image slides and take photos of his models. He completed the program, but upon graduation he decided to pursue photography full time. He was really the pioneer of architectural photography and was was the first to receive The American Institute of Architects’ gold medal for photography.

He was and still is known for his miraculous way of capturing the intent of modern architecture. He was quoted saying “Photography is space, light, texture, of course, but the really important element is time. That nanosecond when the image organizes itself on the ground glass.” He was commissioned by all the greats including Frank Lloyd Wright, Alvar Aalto, Marcel Breuer, Mies van der Rohe, Gordon Bunshaft, Eero Saarinen, Louis I. Kahn, I.M. Pei, Philip Johnson, Le Corbusier, Paul Rudolph, and Richard Meier. One online article states “Famous for his meticulous technique, Stoller had an uncanny ability to capture a building from just the right angle and in just the right light. He brought an architect’s eye to the challenge of capturing complex buildings on film, often using non-architectural elements to comment on the structures themselves.” Some architects would even hire him just to “Stollerize” their building and make it appear ideal in the special way that he did. He was featured in magazines during his time and even released his own book of modern architecture photography. He now has much of his work in various museums around the world. Once you see his photographs you will probably realize that you have seen them before, he was the person that made great architecture great, by revealing it to the world. If you are in New York This month there happens to be an exhibit of Stoller and his work at the Yossi Milo Gallery. Or check out his website at http://www.esto.com or here http://www.ezrastoller.com . Trust me – its worth a visit.

Ezra Stoller © Esto

Ezra Stoller © Esto

Ezra Stoller © Esto

Ezra Stoller © Esto

Ezra Stoller © Esto
Portrait:
Bill Maris © Esto
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