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June 26, 2014

FRIEDRICH KUNATH-SPOT ON!

Filed under: friedrich kunath — Tags: — jherzlinger @ 8:19 am

I was introduced to the work of German artist FRIEDRICH KUNATH and fell in love with the pathos.  Yes, abstract is always my art of choice, but this is more like installation surrealism.  Very interesting.  His points of view are very much graphically done and really great to look at.  Its not the type of art where you can compare to say,

Sargent, each art medium is fantastic in its own way.  What I appreciate most is his ability to capture an honest emotion and not be afraid to just tackle it.  No blurring of lines so to speak!

Enjoy!

Love,

Jamie



Encompassing painting, sculpture, drawing, video and photography, Kunath’s work focuses on universal themes of the human condition: love, loss, loneliness, optimism and dejection, all imparted with a tragicomic pathos.

 

Kunath’s work draws inspiration from sources such as song titles, lyrics and books, along with art historical influences, including Conceptual art, German Romanticism and Symbolism. His paintings, which freely bestride the idioms of abstraction and representation, are saturated with washes of colour, which are then overlaid with diverse visual references,

from satirical cartoons, doodles and chocolate-box imagery to passages of text with nuanced word-play. ‘All the sleeves are brown and the tie is grey (California Dreaming)’ (2011) features a sleeping figure sat aboard a ramshackle raft, caught up in a ferocious sea; while above him is written a contorted version of the chorus from the song of the title.

In another painting, the hunched figure of the artist trudges into a psychedelic, waterlogged landscape, with droplets of rain in the air clearing in part to reveal the cheerful message ‘Almost Summer’. The lone protagonist makes regular appearances in Kunath’s work, the melancholic ‘everyman’, full of longing for home.

Kunath relocated a number of years ago from his native Germany to Los Angeles, and the tropes of Californian counter-culture provides source material for works such as ‘Pet Shop Sounds’ (2011), in which the Beach Boys seminal album morphs into a pair of bickering love birds. ‘I saw God’s shadow on this world’ (2011), features an expressionistic

backdrop that doubles as a parched desert landscape complete with cacti providing shade and respite from the brutal sun. As Kunath himself has noted, his new surroundings have influenced the work: ‘I guess the colours got brighter and the topics got darker. Sunshine and Noir’.

 

Friedrich Kunath was born in Chemnitz, Germany in 1974 and lives in Los Angeles. He has exhibited widely including solo exhibitions at Aspen Art Museum (2008), Kunsthalle Baden-Baden (2009), Kunstverein Hannover (2009) and the Hammer Museum, Los Angeles (2010). Group exhibitions include ‘Human Nature’, Los Angeles

County Museum of Art (2011), ‘Life on Mars: the 55th Carnegie International’, Pittsburgh (2008), ’11th Triennale für Kleinplastik’, Fellbach, Germany (2010) and will exhibit in ‘The World is Yours’, Palazzo Grassi, Venice (2011).

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