I was introduced to the work of Grayson Perry who is an amazing potter, and tells his life story via his art. He is also a cross dresser with an alter ego that I found very interesting!
Grayson Perry, winner of the 2003 Turner Prize, uses the seductive qualities of ceramics and other art forms to make stealthy comments about societal injustices and hypocrisies, and to explore a variety of historical and contemporary themes. The beauty of his work is what draws us close. Covered with scraffito drawings,
handwritten and stencilled texts, photographic transfers and rich glazes, Perry’s detailed pots are deeply alluring. Only when we are up close do we start to absorb narratives that might allude to dark subjects such as environmental disaster or child abuse, and even then the narrative flow can be hard to discern.
The disparity between form and content and the relationship between the pots and the images that decorate them is perhaps the most challenging incongruity of Perry’s work. Yet, beyond the initial shock of an apparently benign or conservative medium carrying challenging ideas, what keeps us drawn to the work is its variety.
Perry is a great chronicler of contemporary life, drawing us in with wit, affecting sentiment and nostalgia as well as fear and anger. Autobiographical references – to the artist’s childhood, his family and his transvestite alter ego Claire – can be read in tandem with debates about décor and decorum and the status of the
Born in Chelmsford, Essex in 1960, Grayson Perry lives and works in London. Perry was the winner of the 2003 Turner Prize, and has had major solo exhibitions at Musée d’Art Moderne Grand-Duc Jean, Luxembourg (2008), 21st Century Museum of Contemporary Art, Kanazawa, Japan (2007), Andy Warhol Museum, Pittsburgh (2006),
Barbican Art Gallery, London (2002) and Stedelijk Museum, Amsterdam (2002). Grayson Perry has also curated two exhibitions - Unpopular Culture, de la Warr Pavilion (then touring) (2008) and The Charms of Lincolnshire, The Collection, Lincoln (2006).